Music
: Harris Jeyaraj
Lyrics
: Vaalee
Director
: Priyadarshan
Producer
: Vikram Singh
Audio
: Film works Audio
Cassette cover : Beautiful design and attractive stills
There is a phrase in English
called “Soda water effervescence “! When you pop-open a
soda bottle, due to change in the pressure, there will be brisk,
fizzy effervescence, which will subside after some time. Harris
Jeyaraj entered TFM with a bang in “Minnale”, but his subsequent
projects like “Majnu”, “12 B” and “Samurai” did not meet the
expectations. Once again he comes fizzy with “Laysa Laysa”.
God only knows why
they changed the previously announced poetic title “Kanmani nee vara kaathirundhen” to “Laysa Laysa”. The film slated for
Deepavali release is directed by Priyadarshan and he
teams up with Harris Jeyaraj for the first time. Kudos to the
producer Vikram singh for introducing “Singles” concept in
TFM though the choice of the track to be released, as the single
was not good.
The album begins with the toe
tapping and energy filled rhythm and humming which is sure to give
the first and best impression. “Mudhal mudhalaai” by Tippu,
Yugendran and Madhumitha is a peppy dance number. For some
time youngsters are sure to go crazy, shaking their foot to this
song. At some places the humming will remind you of the “Azhagiya
theeye” song from “Minnale”. This is the first time that the 14
years old talented girl, Madhumitha has been given the
opportunity to sing a full song and she has done a commendable
job.
“Laysa Laysa”,
which featured in the singles cassette has traces of music from
“Lagaan” and rendered beautifully by Anuradha Sriram.
Harris has given her a break and it is soothing to hear a
melodious song in her feminine voice after hearing series of her
tomboyish songs. The usage of Saxophone in the interludes is
really mesmerizing.
No one can forget the excellent
usage of haunting pieces of violin by Rehman in “Kala Kalavena
Pozhiyum” song in “Rhythm” and “Naettru illaatha maatram” song
in “Pudhiya mugam”. Harris Jeyaraj too could not forget it and
he has used it as it is in “ulaga azhagiye” song rendered
by the new kid on the music horizon, Karthik. It is a puzzle
whether all the songs sung by Karthik become hit or he gets the
opportunity to sing all hit songs. When you slightly alter the
“Sariyaa thavaraa” song from 12 B and give some feminine touch
to the song, you get “enai polave” song rendered by Chitra
and Suchithra Ramadurai. This must be the introduction song
for Trisha and wondering when our directors are going to introduce
their heroines without such songs.
“Etho ondru” by Harish
Ragavendra, Franko and Srilekha Parthasarathy
is sure to be a chart buster with beautiful lyrics and music. You
will start liking the song and the “Ullaagi” humming
(though resembling “Majnu” song) instantly. The song flows like ”
if you don’t give what I ask for, I will die”- A word to all
lyricists, --Why should men be always depicted as being on their
knees, begging to their ladylove and ready to give up their lives
as in this song. For the sake of love, why men should shake off
their self- respect and can’t the lyricists write the songs more
optimistically?
All the songs are penned by
Vaalee and he seems to be still very young at heart. Thank God,
he has written the songs in tamil unlike his usual style. After
a long time we get to hear some decently written lyrics from
Vaalee.
On the whole the album is
worthy buying with simple but catchy tunes and techno kind of
music. But you cannot resist a feeling that you have heard the
songs already.
It would be nice if Harris Jeyaraj stops walking in Rehman’s shoes and creates a new style
for himself. He has recycled his own tunes and made use of
Rehman’s music extensively throughout the album. It is enough that
we have an A.R. Rehman and since he is very busy in London we are
not in need of a “Low priced Edition” of Rehman. If Deva copies
the compositions of all the music directors he comes across,
Harris seems to have a policy to copy only Rehman. Hope he proves
his caliber and versatility in his future ventures.
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